On this week’s episode, Paul Bobnack and Toni McQuilkin chat about how the way postmarks are handled is changing, and how that could impact printers, especially those who print transactional mail or ballots.
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As 2026 gets into full swing and wide-format producers start planning for how to grow in the coming months, we asked several owners all in different phases of their wide-format journey — and in different regions of the U.S. — to SWOT the wide-format segment.
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Your biggest obstacle to growth isn’t your people, your equipment or your customers. It’s your workflow.
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Direct mail pieces are thoughtful, personalized in some way to make the recipient feel seen and acknowledged.
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At PRINTING United Expo 2025, Glen Swyers of Imagine Group offered onboarding insights gleaned from his time as a certified trainer at the Walt Disney Company.
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The CEO and founder of Gelato, Henrik Muller-Hansen, sat down with Printing Impressions’ senior editor Toni McQuilken recently to chat about why he decided to bet big on the printing industry, and why he still believes there is a lot of opportunity and growth to be captured by savvy printers.
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Toni McQuilken recently had the chance to preview the new documentary movie “The King of Color,” and speak with both its director, Patrick Creadon, as well as one of the featured stars of the film, Sean Adams, Dean of Art and Communication at ArtCenter College of Design in Pasadena, California. The movie follows the life of Larry Herbert, the inventor of the Pantone Matching System.
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Amazon’s contract with the USPS, which has had a partnership with the agency for 30 years, is set to expire next year.
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The latest trends driving the pressure-sensitive segment.
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With locations based in the cities where the two companies originated — Phoenix; and Chattanooga, Tennessee — success isn’t just about combining the collective 140 years of expertise. As CEO Curt Carpenter notes, it is also about embracing automation.
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